John
McCracken occupies a distinctive place in the Minimal field. While his
sculptures of portals and pyramids and his justly celebrated planks
(begun in 1966) betray a fascination with architectural forms shared by
other Minimalists, the SoCal a
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Anri
Sala became well known in the late 1990s for works that reflected on
life in his native Albania, and he has had a remarkable artistic career
since. His video installations capture allegorical
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Susan Hiller, Belshazzar’s Feast, 1983–84,
U-matic color videotape, PAL, 20 minutes; 12 C-type photographs cut out
and mounted under perspex, over 12 gouache drawings on acetate sheets,
mounted on wallpaper; overall dimensions variable, each mounted
photograph 20 x 16 1/4".
As
Ferdinand Kriwet has often made clear, processes of reception rarely
play themselves out in linear form. So perhaps it is fitting that the
artist (known since the 1960s as KRIWET) would receive a major
institutional retrospective in his hometown only after numerous
substantial showings elsewher
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