Claus Richter
14 April - 20 May 2011
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| © Claus Richter
FAÇADE, 2007
Styrodur, Elektrik; Acryl, Holz
Ca. 1000 x 240 x 30cm
Sammlung Michael Neff
Foto: Peter Hinschläger |
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CLAUS RICHTER
Millions of Lights
in the archive series The crucial point
14 April - 20 May, 2011
Miniature pink Walt Disney Cinderella castles, whole villages of tiny
Polly Pocket houses, layered cream cakes made of plastic, masks and
laser swords, photographs of adventure and fantasy worlds in theme parks
– for this year’s archive project Millions of Lights, Claus Richter
will trawl through his own archives of toys, novelty items and
photographs to build a small theme park revealing his own, very personal
take on the seductive dream worlds of Disneyland, Phantasialand and
Hollywood studios.
Millions of Lights explores the theme of escapism, and the materials it
presents point out the historical parallels between the worlds of art
and entertainment – and if you look closely, they paint a very revealing
picture of how we construct our world.
The work of Claus Richter (*1971) was recently shown in a major solo
exhibition at the LeopoldHoeschMuseum in Düren. He has also had solo
shows at Kunstverein Braunschweig (2008), the Ursula Blickle Stiftung in
Kraichtal, the Museum für Gegenwartskunst in Siegen (2005) and at the
Clages and Eva Winkeler galleries in Cologne. He presented his
exhibition Après Crépuscule at the Kölnischer Kunstverein in 2009 and
has since held a studio grant of Kölnischer Kunstverein at the
ChocolateMuseum in Cologne. Millions of Lights is part of the Antenne
Köln series.
In the project Der springende Punkt, artists and curators work with
archives of individuals and institutions pertaining to contemporary
artistic and curatorial positions. In each instalment of the series, a
single artist or curator chooses aspects of the archive they are working
with to focus on and emphasize. In 2007 Marcel Odenbach presented an
archive project on Happening und Fluxus, a Kunstverein exhibition in
1970. The exhibition The Soliloquy of the Broom by Olivier Foulon, a
project inspired by the Proust archive of Prof. Reiner Speck, followed
in 2008. In 2009 Oliver Tepel presented the group exhibition Après
Crépuscule. In his project in 2010, which was shown alongside the
exhibition Forbidden Love: Art in the Wake of Television,Simon Denny
presented material on Judith Barry and Ken Saylor’s design for the
exhibition From Receiver to Remote Control, which was shown at the New
Museum in New York in 1990.
www.koelnischerkunstverein.de
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