Marco Brambilla
21 May - 20 August 2011
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| © Marco Brambilla
Wall of Death, 2001
Single-channel video, Black and white, sound, 2:40 min.
Collection New Line Cinema, Los Angele |
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MARCO BRAMBILLA
"The Dark Lining"
May 21-August 20, 2011
Opening Reception: Friday, May 20
Members’ Preview from 6-7 pm
Public Opening, 7-9 pm
The Dark Lining, Marco Brambilla’s first solo museum exhibition,
features seven major time-based works from 1999 to the present.
Brambilla’s oeuvre consists of complex video installations. Much of his
work comprises found film footage edited, layered, and spliced to create
compelling new narratives and stunning visual mosaics. With exquisite
technical production and seamless editing, Brambilla’s multi-layered
tableaux of interconnecting images and looped video blend into an
expansive landscape that forms his hallmark style.
The exhibition at SMMoA will feature the premier of Evolution
(Megaplex), 2010, a new large-scale 3D video collage, which displays the
history of humankind through the lens of cinema. In this never before
seen work, Brambilla combines hundreds of clips from genre films that
re-enact historical moments as grand spectacle. This cacophony of images
is looped and mapped into an infinite three-dimensional environment
that scrolls horizontally across time. Evolution emphasizes conflicts
through the ages, in a remix that seamlessly moves through past,
present, and future, providing a satirical take on the bombast of the
big-budget "epic.”
In a poignant work from 2002 titled HalfLife, Brambilla juxtaposes
surveillance footage of gamers playing the then-popular video game
Counter-Strike with live-feed footage of the game they are playing. By
placing the young men in the "cross-hairs” point-of-view while
simultaneously capturing their virtual actions inside the game-world,
Brambilla highlights the physical displacement and the psychological
dislocation inherent in entering the digital world.
Cathedral, 2008, in which Brambilla filmed Christmas shoppers in a
Canadian mall, exposes raw footage in a long and slow sequence of
kaleidoscopic patterning. The superimposed and multi-layered images
transform the mall into a hallucinatory space. Installed in a mirrored
box, the video is brought into three dimensions further multiplying the
images. Though it resembles an animated stained glass window, the work
depicts commerce and conspicuous consumption, and the conflation of a
"shoppers’ paradise” with a literal place of worship.
Brambilla’s Civilization (Megaplex), 2008, is dense with imagery and
depicts heaven, hell, and in-between, in an epic, almost Dante-esque
style, set to an excerpt from Stravinsky’s Rite of Spring. His first
‘video mural’ integrates clips into an expansive landscape that
continuously scrolls downward, starting with the fires of hell,
progressing through to celestial reward. Other works in the exhibition
include Cyclorama, 1999; Wall of Death, 2001; Sync, 2005; and Sea of
Tranquility, 2006.
The ambitious installation design of The Dark Lining will mirror
Brambilla’s complex visual arrangements where the viewer is led, almost
transported, from singular, theater-like stations to open spaces where
multiple works present themselves in layered concert with one another.
The exhibition at SMMoA is unique from previous installations as this
will present multiple significant works from the last decade and
illustrate Brambilla’s artistic range and evolution. The exhibition
itself, therefore, will function as an artwork—one that is revealed with
the audience’s choreographed movement through a well-orchestrated and
articulated space.
Marco Brambilla studied film at Ryerson University, Toronto, Canada, and
then worked in commercials and feature films, directing the successful
1993 science fiction film Demolition Man. In 1998, he shifted his focus
to video and photography projects as an artist and filmmaker. His work
has been exhibited internationally at such institutions as the
Kunsthalle Bern, screened at the Sundance and Cannes film festivals, and
can be found in the permanent collections of the Guggenheim Museum, the
San Francisco Museum of Modern Art, the New Museum of Contemporary Art,
and the ARCO Foundation in Madrid, amongst others. Brambilla has been
awarded both the Tiffany Comfort Foundation and Colbert Foundation
awards for his video installations. He was born in Milan, Italy, and
currently lives and works in New York and Los Angeles.
Major support for this exhibition has been provided by The Chaney Family
Foundation. Additional support has been provided by The Suzanne Nora
Johnson and David Gordon Johnson Foundation.
www.smmoa.org
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