Dayanita Singh
04 September - 21 November 2010
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| © Dayanita Singh
From: Blue Book, 2008 |
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DAYANITA SINGH
September 4 - November 31, 2010
Mona (1989-2001) I am as I am (1999) Ladies of Calcutta (1997-1999)
Privacy (2002) Go Away Closer (2007) Sent a Letter (2007) Blue Book
(2008) Dream Villa (2010)
This fall Huis Marseille will be holding a retrospective exhibition of
work by the Indian photographer Dayanita Singh (New Delhi, 1961). Singh
is internationally recognized for the highly expressive and poetic
quality of her photographs, whose incidence of light and visual
construction are so meticulously composed that they result in a comment
on society and her own past.
Dayanita Singh was trained as a photojournalist at New York's
International Center of Photography (ICP), which she attended after her
study of graphic design at the National Institute of Design in
Ahmedabad. On her return to India in the late 1980s, Singh began
photographing evidence of social injustice for newspapers and magazines.
By the early 1990s Singh was aiming her camera more and more at her own
surroundings, no longer feeling at ease with her journalistic work. Her
series on the eunuch Mona Ahmed (1989-2001) developed on the basis of a
journalistic assignment, but it represents a critical point at which
Singh chose to go her own way as a photographer. Mona, who became a
close friend, has prompted a body of work in which the photographer's
personal relationship with the subject has key significance, both
directly and indirectly. The same can be said about I am as I am (1999),
an intimate series portraying girls in an ashram, a religious community
in Benares to which Singh gained access through family ties.
In terms of the photographic form as well, Singh shifted course by
switching, in fact, from her 35mm and medium format 6 x 7 camera's to a
Hasselblad camera. This camera's square format forced her to observe and
photograph in a different way: more slowly and precisely, with greater
concern for composition, cropping, detail and light.
That period brought about the formal and monumental portrait series
Ladies of Calcutta (1997-1999) and Privacy (2002), in which she shows
the world of her own origins¾that of her family and friends from the
higher social classes. What we see is a lesser-known facet of India, one
of post-colonial prosperity and of well-to-do women in their
comfortable homes, surrounded by traditional Indian symbols. With Go
Away Closer (2007) Dayanita Singh begins working in an increasingly free
and associative manner. The absence of people is manifest in empty
rooms and spaces and in remarkable still lifes of everyday objects.
People are also emphatically absent from her most recent series, Blue
Book (2008) and Dream Villa (2010), yet they do remain omnipresent in
details and even in the color and light. The urban scene full of
movement and vigor has turned into a desolate, surreal world that offers
an endless range of interpretations and meanings.
This exhibition was organized by Fundación MAPFRE, Madrid, in collaboration with Huis Marseille.
Opening
The exhibition will be opened on 4 September by Dr. Britta Schmitz, Senior Curator Nationalgalerie im Hamburger Bahnhof, Berlin.
Design printed matter: Michaël Snitker
www.huismarseille.nl |
